Recording Guitars and Guitar Amps

Recording guitars can be a bit tricky, so here are some helpful tips. First, you should always track a dry signal of the guitar. Run a DI box before the amp to make sure you get a straight tone in addition to any mic recording you capture. This will give you the option of re-amping the track. Who knows, this could be the track you wind up using.

Try tracking with different mics. Use dynamic and condenser mics on the amp in different locations until you find the tone you're looking for. Angle the mics directly at the cone and then angled off to one side. You'll get very different tones and this can help you shape the texture of each track.

Be sure to check your phase alignment if you use multiple mics for the same take. Using two mics on a single amp can help you blend a tone that is unique and works best for your mix. Just be sure that you don't choke the tone by having tracks that are out of phase with each other. If the mics sound great on their own, but sound thin when combined, this usually means there is some phase cancellation between the two tracks.

These at just some starting points to keep in mind. Leave a comment if you have questions or would like more details about my techniques. Thanks for reading my blog.

Drum mics | Kick Drum Recording

The biggest drum seems like the easiest drum to mic, but this big fella can be tricky at times. You really have to pay attention to the music. The tone of the kick drum needs to match the tone of the music. This requires selecting and placing the right mic in the right spot to capture the tone that you need.

There are a few options I recommend. The Shure Beta 52 is a rock solid mic for any recording. It provides depth, punch, clarity, and snap that works well with virtually every recording. You can never go wrong when using this microphone to record your kick drum.

My backup mic is the AKG D112. This egg-shaped mic is versatile for many recording applications, so it's an excellent choice for those of you on a tight budget. Besides kick drum tracks, this mic works well for recording any instrument that has a lot of low-end detail. I've used this microphone to record congas, bass guitar, trumpets, horns, and vocals. So for the $199 price tag this mic carries, it's well worth the investment.

The third microphone that I recommend is a little unorthodox. The RODE NTK is a secret weapon that I like to use when I need a bit more slap in the kick drum. It's a tube-based condenser that has a magical sound when placed in just the right spot. Usually I find that spot slightly off-center in front of the drum head. The $499 price on this mic does put it in the slightly expensive category, but this mic can do it all. From vocals to acoustic guitar, this mic is excellent on almost any recording.

Hope this helps you get better kick drum recordings. Happy tracking.

Mic Placement

We had a discussion last night about the struggles of finding the right sound for a particular song being tracked at the studio. The discussion led us down a path of thought that started to get us thinking more outside the box. The studio drummer, CRISPy CRUIZeR, was brainstorming a new plan to use microphones of all different types. What if the guitar amp was tracked with a mic designed for the kick drum? Would a D112 give us the bottom end that we're seeking? This got us thinking even more about using some of the gear in different ways. Maybe it's time to dust off the MiniDisc recorder and the DAT machine. What if the compression ratios of these digital machines gives us that little extra punch that the drums need to sit bigger in the mix? These are questions that get us intrigued and in this business, strange and unusual is typically the most fascinating.